Feature 10 is the design of the chariot driver. The changes are made not only to improve the design of this specific feature, but to improve the entire composition. For example, the curl and leaf motif on the lower left side of 10.6 is also used for the end of the pony's mane at that part of the chronology. Yet the chronology of the pony's head design (11) uses different features altogether.
None of these features were pre-chosen for a progression of the design, instead, they were picked "on the fly", usually to improve the entire composition. These charts show how the artist was thinking about the designs as he or she worked.
The chronology is established by overlapping changes to the features that have been selected. Sometimes an exact order can be determined for each die, sometimes there are a set of dies that can be fixed at a certain part of the chronology, but the internal chronology of this set cannot be established. I put these uncertain sequences in parentheses:
27, 28, (29, 30), 31Dies 29 and 30 follow right after die 28 which follows right after die 27 and they are both just before die 31, but we do not know if the correct order is 29, 30 or 30, 29.
This method is not restricted to the thought patterns of a single coin die cutter. It can also be used to determine how groups of people act to change the characteristic features of certain types of archaeological sites over time. The information from a single site can only be so informative -- we do not know which features are "standard" and which are novelties to that site alone. Only through the comparative study of numbers of similar sites can such charts be constructed and the evolution of certain sorts of structures be plotted. There is no instrumental difference between an archaeological site with its assemblage of finds and a single coin with its design motifs and elements.
Have a great weekend, more on this subject on Monday.
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