Friday 5 August 2016

The "cultural heritage" group neurosis 9: the actual processes of culture (iii)

Siksika Nation (Blackfoot) elder texting with family looking on.
Of all of the photographs I took at this year's Calgary Stampede this is my favourite. It shows that while traditions can be maintained, a living culture must adapt to its environment to ensure its survival and prosperity.  In the eighteenth century, the Siksika Nation had a population of about 18,000 but disease brought by Europeans and the slaughter of bison herds including that by the Canadian government in order to starve out Sitting Bull's Sioux and force them to return to the U.S. greatly reduced that number. Now the population is 7,320, but only 4,025 still live on the reserve near Gleichen, Alberta. Part of their current prosperity has been brought about by their fight against illegal seizures of their land such as the land that had been given to the Canadian Pacific Railway for the construction of Bassano Dam. The Blackfoot-speaking cultures were also threatened with extinction through the Christian residential schools, and they were not the only First Nations victims of this oppression. Always warriors, their weapons now are legal cases and public relations projects.

Outside of the Blackfoot confederacy, efforts to "preserve the culture" suffer from a lack of understanding of the culture: as with many First Nations, the preservation of many artifacts and even human remains in museums goes directly against the culture. The key phrase in the following video is: "They say that when these symbols disappear from erosion then the story's finished":



Human remains, too, are supposed to return to nature and only when that happens will the spirit of that person be able to move on. This is also very similar, in part, to the Tibetan practice of sky burial where it is sometimes claimed by Tibetans to also ensure that the spirit does not stay too long with the body. Some First Nation's cultural objects, such as medicine bundles can be specifically bequeathed or are taken care of by appointed guardians; other objects are made by First Nations artists to be sold to whomever would desire them and the proceeds are used by the artists and their heirs to support their families. The objects, themselves, carry information about the culture far and wide; generate interest and in some cases can help to provide information back to the original culture when it becomes lost over time. Many years ago, I met a white woman who had restored much information to the Haida in British Columbia about their culture through such objects.

But all of the above is about living cultures. What of cultures long dead? Remember what I said in the previous part of this topic that cultures are not static and are carried forward by individuals in a very personal way. What do we really (mostly) experience at a museum? The buildings are often impressive monuments to the state: their spacious galleries and high ceilings dwarf the humans inside. This was the very point of such architecture from the Byzantine through western European cathedrals to the buildings of Hitler's architect Albert Speer. Subservience to the state or Church was the purpose. Within the museum, objects can be behind glass or ropes and there will be attendants to make sure that you do not touch what is not. I have not seen it since the building has been renovated, but I hope it is still there, but in Devonian Gardens in Calgary there stood a life size bronze sculpture of Labrador retriever by Sir Edwin Landseer. The artificial patina on its nose worn down by generations of children who had petted it. Do you believe that the artist would have been upset by such activity, or do you think that he would have been pleased that his work had become so believable? Sculptors say that their work is made to be handled. I once encouraged my daughter to run her hands over a marble sculpture by Jean (Hans) Arp. A museum attendant rushed over to stop us doing that.

Decades ago, a study was undertaken to track the movements of visitors to a large museum. It was discovered that at first the visitors would walk slowly around looking at he exhibits. after a while they would walk faster with and with a growing apparency of panic would soon start looking for the nearest exit. They were suffering from sensory overload. Such an experience probably kept them out of museums for some time afterward. Once,  a tourist at the British Museum asked me for directions to the Rosetta Stone. I took her over to it and she glanced at it quickly and then walked off. Clearly, it was on her "must see" check list. She could tell people she had seen it. I have been to art exhibit openings where the elite have been sipping wine and talking to each other. They were there to be seen, not to look. When exhibits fail to interest or they are not part of the collecting focus of the museum, they are stored away and rarely seen again. Whenever one is deaccessioned and sold, however, the public (who never went to see it anyway) is encouraged to protest the sale by cultural heritage neurotics. A friend was on an archaeological did in Tuscany and after the dig, all Etruscan undecorated black bucchero ware pots had to be smashed with hammers. The local storage was full of the stuff and they did not want such things "getting into the hands of collectors" because it would encourage looting.

The word "museum" comes from Muse, and the purpose of the Muse is to inspire the production of art. Through such inspiration, even extinct cultures do not completely die away and get forgotten. They pass something of themselves onto future generations. Only when people lose personal contact with a culture does it really die. Academics often assume that the purpose of a museum is to educate. They are merely projecting their own psychology onto the public. Picasso would see and would purchase African carvings from street vendors in Paris (who were from French Africa). The art inspired him and part of that culture lived on his work and changed the course of European art. It is always the individual who does this. So what is wrong with these neurotics who restrict culture (besides propping up nationalisms) and who become fanatical without ever evolving their ideas about the subject? Jung explains:
"If the subjective consciousness prefers the ideas and opinions of collective consciousness and identifies with them, then the contents of the collective unconscious are repressed. The repression has typical consequences: the energy-charge of the repressed contents adds itself, in some measure, to that of the repressing factor, whose effectiveness is increased accordingly. The higher its charge mounts, the more the repressive attitude acquires a fanatical character and the nearer it comes to conversion into its opposite, i.e., an enantiodromia. And the more highly charged the collective consciousness, the more the ego forfeits its practical importance. It is, as it were, absorbed by the opinions and tendencies of collective consciousness, and the result of that is the mass man, the ever-ready victim of some wretched “ism.” The ego keeps its integrity only if it does not identify with one of the opposites, and if it understands how to hold the balance between them. ...
"The current “isms” are the most serious threat in this respect, because they are nothing but dangerous identifications of the subjective with the collective consciousness. Such an identity infallibly produces a mass psyche with its irresistible urge to catastrophe. Subjective consciousness must, in order to escape this doom, avoid identification with collective consciousness by recognizing its shadow as well as the existence and the importance of the archetypes. These latter are an effective defence against the brute force of collective consciousness and the mass psyche that goes with it.
Jung, C. G.. Collected Works of C.G. Jung, Volume 8: Structure & Dynamics of the Psyche: On the Nature of the Psyche (pp. 218-221). Princeton University Press. Kindle Edition. 
"The neurotic is forced by his neurosis to take this step, but the normal person is not. Instead, he acts out his psychic disturbances socially and politically, in the form of mass psychoses like wars and revolutions. The real existence of an enemy upon whom one can foist off everything evil is an enormous relief to one’s conscience. You can then at least say, without hesitation, who the devil is; you are quite certain that the cause of your misfortune is outside, and not in your own attitude. Once you have accepted the somewhat disagreeable consequences of interpretation on the subjective level, however, the misgiving forces itself on you that it is surely impossible that all the bad qualities which irritate you in others should belong to you. By that token the great moralist, the fanatical educationist and world-improver, would be the worst of all."
ibid. (p. 272). 

I will be back with more in this series and a new topic on Monday, Have a cultural evolutionary weekend.


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10 comments:

  1. Hi John:

    "A friend was on an archaeological ...[...] dig, all Etruscan undecorated black bucchero ware pots had to be smashed with hammers. [...]they did not want such things "getting into the hands of collectors" because it would encourage looting."

    Some years ago one archaeologist was incandescent at the prospect of Celtic coins coming onto the market as a result of metal detectorists' (legal, by the way) activities. He cited all manner of social ills that could be laid at their door.

    It later came out that he'd been stashing Celtic coins as a hedge against inflation.

    Best

    John Howland
    UK

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    1. Hi John,

      Back in the eighties an emeritus professor of archaeology tsk tsk'd me when I said I collected coins and antiquities. What he didn't know at that time was that I was to be cataloguing the Wallace collection of Euboean coins. It was the largest collection of its type in existence (10x that held by the British Museum). that same professor had purchased it from Wallace's son (another professor) and was going to split it up and sell it all by auction. I catalogued it for his university. He could not wait for the catalogue to be completed and the university refused to pay for any photographs (making the catalogue useless anyway).

      Mark Hall told me that many years ago he wanted to catalogue William Randolph Hearst's collection of Celtic coins. There was delay after deal in getting permission. Finally it was admitted that a professor had borrowed them to study and by a curious coincidence, his apartment was broken into the following weekend and all the coins were stolen. The theft was not even reported (because of the embarrassment factor).

      Sadly, (besides instances of making a profit on them) most archaeologists are so uninformed about numismatics that they believe the only academic value in ancient coins is to date an archaeological site (which often is a very bad method, anyway).

      The best information that can be obtained about an ancient coin can be got from a specialist dealer (unless there is another "Wallace" around who specializes in those particular types). Archaeologists are among the least informed about ancient coins (with very few exceptions). It is just a matter of common sense to understand why that would be.

      Best,

      John

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    2. Philip de Jersey8 August 2016 at 13:15

      That's a pretty remarkable accusation, Mr Howland. I am struggling to think of any archaeologist who could afford to be 'stashing Celtic coins'. Would you care to provide any evidence to back this up?

      Delete
  2. Hello John:

    "Archaeologists are among the least informed about ancient coins (with very few exceptions). It is just a matter of common sense to understand why that would be."

    And not just archaeologists; perhaps those posing as such, tinkers, tailors, soldiers, English teachers...

    Best

    John Howland
    UK


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    Replies
    1. Hi John,

      I get your drift ;-) Ironically, though, the best ancient coin numismatists have been amateurs and one of those was one of the fathers of modern archaeology: Sir John Evans worked at, and then ran, his family's paper company. He had no university degree but he pretty well originated the the subject of British Celtic numismatics, later becoming the president of the Society of Antiquaries of London. It all started with a coin collection he inherited from his father. In his _Coins of the Ancient Britons_, he acknowledges the help he got from coin dealers.

      I know a man who is in the textile business: not only is he the most knowledgeable person about the coins of Thessaly, but he has the best numismatic library on the subject; allows collectors to visit and is always willing to help those who study the subject. It takes at least twenty years to be a good numismatist and it also requires a working familiarity with large numbers of coins. It cannot be taught. I also knew an academic who got her doctorate on a study of one series of Corinthian coins. She was appointed the curator of a numismatic department at a university museum. Unfortunately, she could barely recognize any ancient coin apart from the series she had studied and was eventually fired after she sent their collection of ancient Greek coins to a jeweler to have them polished so they would be nice and shiny for the museum visitors.

      For general knowledge about ancient coins, the best informed are always coin prominent dealers with decades of experience: David Sear for example. The most knowledgeable specialists are important (and usually very wealthy) collectors, also with decades of experience.

      An archaeologist usually sees fewer ancient coins than a schoolkid collector of such. When I worked in London, at the age of sixteen, I spent most of my lunch hours at Seaby's talking with David Sear and looking at their stock of ancient Greek coins. Another frequent visitor there at the time was the man I spoke of earlier who was in the textile business. It is customary to keep his identity secret because of hostility to collectors. His collection (much of which has been recently sold) is identified as the BCD Collection. One of the coins is currently on CNG's electronic auction:

      https://www.cngcoins.com/Coin.aspx?CoinID=317011

      Best,

      John

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    2. I forgot to add that it was Sir John Evans who made sure that finders were rewarded the full value for anything claimed as Treasure Trove (Still the same under the current Treasure Act). his argument was that finders who were not given the full value for anything claimed by the Crown would be more likely not to report it. In his subject of Celtic coins it, and through his own requests of dealers started a tradition of reporting coins and their find spots that was continued by another collector of Celtic coins, the farmer/environmentalist/scholar Henry Mossop -- one of Britain's first metal detectorists and by the civil servant/Celtic numismatist Derek Allen. who was one of the founders of the Celtic Coin Index. Allen and Mossop both found allies in archaeology: respectively Sheppard Frere CBE, FSA, FBA and Jeffrey May FSA. In 1989, May wrote to me saying "I have been working on the coins of the Corieltauvi (formerly Coritani) for the last ten years or more, in collaboration with Mr. Henry Mossop, with a view to publishing an updated version of D. F. Allen's important book, Coins of the Coritani." Sadly, the greatly respected Jeffrey May died in 2006,and Mossop had died the year before May wrote to me. No one, it seems, has continued working on that reference and I have no idea about what became of the manuscript and catalogue.

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    3. One more thing, Jeffrey May's Times obituary can be found here in the Soc. Antiq, "Salon":

      https://www.sal.org.uk/salon/archive/issue?no=147&f=1&fs=section1&cs=td

      Andrew Selkirk (mentioned in the obituary) is also a friend of mine and respects both independent archaeologists and collectors. He founded the Council for Independent Archaeology and I spoke at their 1999 meeting in Sheffield (and quite extensively with Andrew about these matters on the drive back to London afterward).

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  3. To Phillip de Jersey:

    No! I'm sorry, but you'll have to keep struggling. That which I discovered must remain under wraps for reasons I expect you are familiar with. If you are really that interested, look east! Look '80s.

    Oh, by the way since when have archaeologists in the upper echelons been strapped for cash? Some are regular visitors to the 'arches'. If you don't what I mean, then you ain't who you pose to be.

    Best John Howland
    UK

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    Replies
    1. Philip de Jersey9 August 2016 at 13:18

      So, in other words, you are unable or unwilling to provide any evidence for your accusations. I think that says all we need to know about them.
      regards
      Philip (one 'l')

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  4. Dear Philip (one 'l') de Jersey:

    Think what you like.

    Regards

    John Howland
    UK

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