La Bella Principessa, Leonardo da Vinci |
We do know that da Vinci puttered around painting the Mona Lisa for a very long time and I think it more likely that the original effect was a happy accident that he adapted as a deliberate effect later. It might even have been due to overworking the painting. I would think it would be impossible to predict the exact end result of multiple transparent glazes, so in trying for an effect by using multiple glazes when such an effect had never been attempted before might well have, at the very least, been a trial and error process. So I think that he probably noticed an accidental effect and then worked to emphasize that effect. For the second work, I think he knew where he wanted to go with it and then developed the mixed technique to get there more directly. He certainly did experiment with his techniques, and not always successfully. I feel that my variation in the interpretation better expresses both the ways da Vinci worked and his personality.
No comments:
Post a Comment