A rare sight ― Ireland on a clear day photo: NASA's Earth Observatory |
In his introduction to La Tène in Ireland: Problems of Origin and Chronology, Marburg, 1984, Barry Raftery starts with:
"There can be little doubt that the archaeology of Iron Age Ireland is one of the most problematical fields of study in the whole of Irish prehistory. Because of the virtual absence of significant associations, the paucity of burials and clearly recognisable settlements and, indeed, the largely selective nature of the surviving remains, there are still immense areas of uncertainty confronting the archaeologist in almost every aspect of this extremely difficult period.
"The Iron Age in Ireland is illumined, however dimly, by a not inconsiderable wealth of written material. This written record is of undeniable value to the archaeologist but arguably its existence has also had detrimental effects on the development of objective archaeology. This is not only because the written sources have been misused but also because the complete and vivid picture of society in Iron Age Ireland apparently presented by the literature is at variance with, and obscures, the very real darkness which so often confronts the archaeologist in his study of the material remains of the period."
Iron Age objects in Ulster Museum photo: Notafly |
As many examples of Irish La Tène art start later and last longer than those of other areas, and because of the evidence of the Lambay Island settlers, it would seem that most of the La Tène influence was sporadic and not particularly focused (save for being largely absent in the extreme south). It seems that the Lambay Island settlers arrived in about 75 AD from the Severn estuary. The brooch type most represented in the finds being a distinctly local Polden Hill variant. I don't think that I am going out on too much of a limb by suggesting that these settlers were seeking a way of life that was not commensurate with the Roman occupation of Britain. Perhaps they were looking for hire, as warriors, from local leaders. The fact of the Menapii tribe from the mouth of the Rhine appearing in Ireland suggests a larger contingent, but without much in the way of material evidence apart from the fact that the Irish La Tène gold bears platinum inclusions not found in British gold, but present in the Rhineland and in a coin of the Boii, might mean that a large segment of the tribe moved to Ireland as did large segments of the Aulerci tribes moved down from the Rhine to Armorica.
A profession that likely suffered a great deal in Roman Britain along with those Celts who made weapons and chariots was poetry. Bards, who were all members of the Druid class were specialists in singing the praises of the heroic acts of their patrons, but the heroism of such British leaders as Boudicca did not provide much of a market opportunity for the bard, as local heroism against the Romans was not boasted by them for very long. I think it very likely that British and Continental bards also traveled to Ireland seeking patrons. They would have needed to familiarize themselves with the histories of their new patrons, but many colorful passages would be carried forward from verses composed about previous patrons and would have been the stock and trade of their profession. Who knows? ― Perhaps verses about the "hound of Cullan the smith" (Cú Chulainn) had some elements from verses about "the hound of Belinus" (Cunobeline).
Raftery finishes La Tène in Ireland with an allusion to Diodorus (V.31):
'The Irish La Tène material gives us tantalising glimpses into a Celtic, Iron Age society but, more often than not, the evidence can be said to "speak in riddles, for the most part hinting at things and leaving a great deal to be understood".
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