Reconstructed gold foil covered staff discovered in
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One aspect of the Dionysian myths is that the grape vine represented the male and the ivy vine, the female. Although Kerényi tracks influences to Dionysian themes back as far as Minoan Crete, there are also syncretistic threads to Asia, and we might even wonder about the Chinese yin and yang concept and also how this might also tie in to female Mythos and male Logos. Dionysos was supposed to have traveled there; one of the forms he took in his battle against the the Titans was a tiger.
Coin of the eunuch Philetairos showing the ivy leaf below Athena's wrist Image courtesy of Classical Numismatic Group Inc |
In the light of all of the above, it should not come as too much of a shock to anyone that I am claiming that the La Tène religion of the Celtic elite had as one of its most important syncretistic elements, the cult of Dionysos. Mankind, advancing in so many ways, is also devolving in its its growing inability to understand the roots of metaphor. The system of nature, in its essence, is very simple: whenever a species moves to rapidly and too far along, in either direction, the abstracted scale of Mythos to Logos, a new state comes about. We call this extinction. Currently we are hurtling toward Logos at an alarming rate. Driving this extinction, are fools who believe in the primal nature of good and evil. This is state is generated through fear, but fear, itself is really just another expression of evil. I remember, as a young boy, trying to balance a broom pole on one finger. It would swing one way or another and I would counteract that motion to achieve balance again. I would also watch Bugs Bunny cartoons and notice how the unruffled rabbit would, as if by chance, avoid all of the disasters while his frantic opponents would fall into them so easily. The broom pole balancing was just physics: when the earth dam is breached just a little by some water over-spilling its sill, the resulting failure happens very quickly; when the pre-Columbian civilization goes too far in its agricultural methods, the civilization vanishes. I did not understand, at that time, that these were all expressions of the Tao(50):
When I go about with my coyote hybrid (coydog), we frequently encounter people who are afraid of him. Tristan will give two short warning barks. If the person then stops manifesting fear, nothing happens but he will then act aloof and it takes a bit of effort for them (with my instruction) to get him to act friendly to them. If, on the other hand, they become even more frightened and especially if they jump backwards, then his hackles will raise, he will bare his teeth, snarl, and lunge to attack. I don't know if he just wants to drive them away (I would like to think so), and I never give him a chance to follow through, but when wild dogs see fear in one of their numbers, they will kill that dog. They know that anything that exhibits fear cannot be trusted and is evil to them. I explain this to those who take my instruction and avoid the attack phase, adding that everyone in my life who has given me any problems are all manifesting some sort of fear.I've heard of those who are good at cultivating life
Traveling on the road, they do not encounter rhinos or tigers
Entering into an army, they are not harmed by weapons
Rhinos have nowhere to thrust their horns
Tigers have nowhere to clasp their claws
Soldiers have nowhere to lodge their blades
Why? Because they have no place for death
On a rare occasion you can see those lines from the Tao playing out, on a Bugs Bunny cartoon on TV or, in real life, in a little girl in Africa. As the familiar warning goes, don't try this at home! If you have not evolved into this state, it won't work, and if you are trying to show off it won't work, either. It has to already be a part of you. Once, two loose, large angry dogs threatened me and were about to attack. I fixed them with a look, and then sternly, said "Come here" and pointed to the ground at my feet. They paused. I repeated it and they ran away. I had to undergo an interview, by a visiting expert, before Tristan was entrusted to my care by the City of Calgary because of his "issues". I will soon be going, with friend, into grizzly bear territory, far away from any people. We plan to take a shotgun with the cartridges loaded with 8mm steel balls and we will take a few flares as well. I did not grow up with bears.
So, let's look into the real metaphor of the ivy. Kerényi (p. 61-64) says:
"Of the two characteristic plants of the Dionysian religion―ivy and the vine―it was the former "colder" plant that suggested a kinship with the snake; thus a snake was twined into the ivy wreaths of the maenads,... The ivy motif is in general far more frequent than the vine motif in Greek art and in the Etruscan art that derives from it. ..."He goes on to quote Otto:
"Its cycle of growth gives evidence of a duality which is quite capable of suggesting the two-fold nature of Dionysos. First it puts out the so-called shade-seeking shoots, the scandent tendrils with the well-known lobed leaves. Later, however, a second kind of shoot appears which grows upright and turns toward the light. The leaves are formed completely differently, and now the plant produces flowers and berries. Like Dionysos, it could well be called the 'twice-born.' But in the way in which it produces its flowers and fruit is both strikingly similar to and yet strikingly different from that found on the vine. It blooms, namely, in the autumn, when the grapes of the vine are harvested. And it produces it fruit in the spring. Between its blooming and its fruiting lies the time of dionysos' epiphany in the winter months...."
Ivy (Hedera helix murgröna) Carl Axel Magnus Lindman
Many types of ivy exist and some of the ancient
types are now extinct. The excavators at
Manching mistook the fruit for acorns of the oak,
and perhaps the association of oak with druids
has become conflated, at least in part, with the
oak groves of the oracle of Zeus Dodona. The
staff of the Dionysian Thyrsus was made of
fennel.
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Caesar had said that Druidism originated in Britain and those who wanted to study it in depth went there. I think, in reality, that Druidism had already changed considerably by Caesar's time and Britain, being off the beaten track, had just retained more of its original form. The mythology of ivy did not continue much on the continent, but after being part of the Saturnalia, it was transferred to Christianity and also, when entering Britain became strengthened by ivy's characteristic of covering everything, as well as having its poor associations with alcohol. In Britain, its meaning had changed even before the conquest, but previous syncretizations at least guaranteed its role in folk lore there. Although it carries a germ of its genesis, its real meaning has become occluded.
Robert Graves writes about it in the White Goddess, but all of that is a bit of a red herring and there is no point in looking in that subject for this plant. Some have said that he wrote the book under the influence of psilocybin. I really cannot imagine anyone doing much writing under the influence of "magic mushrooms" which has more of an "illusionogen" effect than does LSD. One of the most dreadful of these compounds is something that people take in much smaller doses a lot and is available without prescription in all drug stores. Again, forgive me if I don't mention... . Far too much attention is given to hallucinogenics in mythology, along with entoptic imagery and this is often just a symptom of the Logos leanings of our current society's difficulties with the use of metaphor. A lot of warfare, today, is also due to us getting far too close to the Logos end of the scale. Joseph Campbell said that people are killing each other over their choices of religious metaphors. "Fundamentalism" in all forms is really its opposite ― something far newer, harmful to the nth degree, and symptomatic of enantiodromia. Happily, nature will continue and humans can be easily selected out for extinction through evolution.
Tomorrow, why the ivy scroll takes on triplism in its composition in La Tène art.`
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